Lisa Unger is the New York Times and internationally bestselling author of twenty novels, including SECLUDED CABIN SLEEPS SIX, LAST GIRL GHOSTED, and CONFESSIONS ON THE 7:45 — now in development at Netflix, starring Jessica Alba. With books published in thirty-three languages and millions of copies sold worldwide, she is regarded as a master of suspense.
Unger’s critically acclaimed novels have been featured on “Best Book” lists from the Today Show, Good Morning America, Entertainment Weekly, People, Amazon, Goodreads, L.A. Times, The Boston Globe, Sun Sentinel, Tampa Bay Times and many others. She has been nominated for, or won, numerous awards including the Strand Critics, Audie, Hammett, Macavity, ITW Thriller, and Goodreads Choice. In 2019, she received two Edgar Award nominations, an honor held by only a few authors, including Agatha Christie. Her short fiction has been anthologized in The Best American Mystery and Suspense, and her non-fiction has appeared in The New York Times, Wall Street Journal, NPR, and Travel+Leisure. Lisa is the current co-President of the International Thriller Writers organization. She lives on the west coast of Florida with her family.
It’s hard to compare Lisa Unger to any of her contemporaries. Unique, inventive, and often experimental, her writing is impossible to categorize. She combines her extensive knowledge of the human psyche with an understanding of trauma and fear to create novels that have earned her a reputation as one of the most skilled practitioners of the psychological thriller around today. Throughout her career, she has deftly walked the fine line between literary novels and commercial thrillers all the while hitting The New York Times bestseller lists and earning both critical acclaim and millions of fans worldwide.
Unlike many bestselling authors who stick with a formula to play it safe, Unger’s bestseller status and loyal fan base have, if anything, propelled her to experiment more widely with her writing. Her character-driven novels explore the vast gamut of human experience, delving into the psychology of both protagonist and villain, often blurring the lines between the two. (The Strand Magazine)